Children's Books
Many of my children's books have a Japanese background because I lived there off and on with my husband and two children for many years. During that time I was enchanted with the legends and folk tales, much as Lafcadio Hearne was years before. Some of my books are based on old tales, but most of them are original stories with authentic folk creatures, such as dragons, the amanojaku, tengu, and kappas as the main characters. My books with an American background are also taken over by mischievous animals I have known.
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Taka-chan and I, 1967
With photography by Eikoh Hosoe- New York Times Notable List, 1967
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A Dog's Guide to Tokyo, 1969
With photography by Eikoh Hosoe -

Joji and the Dragon 1989, reprint 
Joji and the Fog, 1959- Scott Foresman Reader, 1959s
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Joji and the Amanojaku, 1965 -

Kap and the Wicked Monkey, 1968 -

The Ricecake Rabbit, 1966 -

The Dwarf Pine Tree, 1963- "A Minor Classic" - St. James Press, 1982
- First Place - New Haven Book Festival, 1963
- Book Week - Among Best of Season, 1963
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The Many Lives of Chio and Goro, 1966 -
The Mudsnail Son, 1971 -

The One‑Legged Ghost, 1968- Jr. Literary Guild, 1968
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The Cock and the Ghost Cat, 1965
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Mogo the Mynah 1958 -

The Secret Seller, 1968 -

Jaguar, My Twin 1976- Recommended ― Association of Chidren's Libraries, 1977
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Goodnight, Orange Monster 1972- Rand McNally Reading Program, 1977
(Most books listed above on annual ALA Notable Children's Book List)
St. James Press
Betty Jean Liftons prolific work as a writer reflects the influence of sojourns in the Far East. In her childrens fiction such oriental themes as non-violence and the eternal recurrence of nature are accompanied by a cavalcade of strange creatures chiefly drawn from (often moralistic) Japanese folktales.
Among the folk creatures is Joji, a peace-loving scarecrow befriended by the very crows he is supposed to frighten away from a farmers rice field. In Joji and the Dragon, Jojis master discards him for a hired dragon. The crows scare off their would-be-conqueror, thus enabling Joji to be restored to his rightful position. Captured by a rice-paddy-terrorizing demon in Joji and the Amanojaku he is again rescued by his crow friends who intimidate his ferocious captor. Joji, a lively espouser of nonviolence, is appealing to the very young.
Another protagonist is a Kappa, a legendary Japanese river elf with a monkeys face and a turtles back. In Kap the Kappa the mischievous Kap leaves his river home to be adopted by a fisherman whose family disguise him as a boy. However, his incorrigible pranks disclose his identity to all, and, after realizing he cannot be a human, he returns to the river and his true parents. An inspired creation, Kap inhabits other stories as well as a similarly-titled play which evinces the authors considerable skill as a playwright for children.
A mountain demon in The Dwarf Pine Tree grants a tiny evergreen its wish to become a dwarf pine tree beautiful enough to cure an ailing princess. The tree patiently undergoes the necessary painful transformation, is discovered and brought to the princess whose health is restored, and then it passes away to become a tree spirit. This poignant work reflecting the gentle spirit of Buddha emerges as a minor masterpiece.
Animal characters also abound in Mrs. Liftons books. A loyal rooster in the suspenseful and touching The Cock and the Ghost Cat sacrifices himself to protect his master from a ghost cat bent on stealing the households provisions. The man-size title character of The Rice-Cake Rabbit makes the best rice-cakes in Japan but aspires to be a samurai, a profession reserved for men. He is banished to the moon when he succeeds. This gently ironic yarn is among the authors best. In The Many Lives of Chio and Goro the trans-migrating souls of a farm couple pass through animal life back to human life with comic complications in a tale which the reader can appreciate on several levels.
Betty Jean Liftons stories have an audience range of ages 4 to 10. They are characterized by humor, an economy of words, vivid characterizations, well-structured narratives drawn from Japanese folktales without diluting the cultural source, and handsomely imaginative and colorful brush and ink illustrations by such artists as Eiichi Mistui and Fuku Akino. Her fictions appeal for young children and its effectiveness in stimulating interest in oriental culture are unquestionable. These factors earn Mrs. Lifton a position of prominence in juvenile literature as an imaginative, sensitive, and skillful storyteller.
―Christian H. Moe, 1982
Children’s Book Publication Details
Knopf :
- Tell Me a Real Adoption Story, 1993. (PACT ―Outstanding Children’s Book, 1994)
Linnet Books:
- Joji and the Dragon, 1989 (reprint).
Atheneum:
- Jaguar, My Twin, 1976. (Recommended ―Association of Children’s Libraries, 1977)
- Goodnight, Orange Monster, 1972. (Rand McNally Reading Program, 1977)
- The Mudsnail Son, 1971.
- The One Legged Ghost, 1968. (Jr. Literary Guild, 1968)
- The Cock and the Ghost Cat, 1965.
- The Dwarf Pine Tree, 1963. (First Place ―New Haven Book Festival, 1963; Book Week ―Among Best of Season, 1963)
Seabury Press:
- The Silver Crane, 1971.
W.W. Norton:
- A Dog’s Guide to Tokyo, 1969.
- Kap and the Wicked Monkey, 1968.
- The Secret Seller, 1968.
- Taka-chan and I, 1967. (New York Times Notable List, 1967)
- The Ricecake Rabbit, 1966.
- The Many Lives of Chio and Goro, 1966.
- Joji and the Amanojaku, 1965.
William Morrow:
- Kap the Kappa, 1960. (Herald Tribune Honor Book, 1960)
- Joji and the Fog, 1959. (Scott Foresman Reader, 1959).
- Mogo the Mynah, 1958.
- Joji and the Dragon, 1957. (Scott Foresman Reader, 1959).
(Most books listed above on annual ALA Notable Children’s Book List)